Recent issues have arisen with the lack of career costumes available for girls, or the prevalence of sexualized costumes for young children. Empowering costumes are challenging to find and a number of websites recommend dressing in Native American costumes. However, many Indigenous communities disagree. This has been brought to the forefront here at Boston Children’s Museum with the reopening of our exhibit Native Voices. Begun in 2010 and developed with an Indigenous Advisory Board from all of the tribes represented, it became clear that of the many goals of this exhibit the most prominent include dispelling stereotypes, correcting misinformation, and conveying that contemporary tribes continue to revive and evolve their cultural traditions, values, and communities. Continue reading
Boston Children’s Museum has an art gallery on the second floor, which is sometimes overlooked as children run from Arthur’s World to Johnny’s Workbench. Exhibits rotate every two months, with work from local, contemporary artists. A recent exhibit was Floor van de Velde’s A Curious Symphony and it featured a wide variety of musical instruments from the Museum’s collections, arranged to show off instruments from around the world. Music played overhead and in phone booths so visitors could hear a range of music from different countries, cultures, and eras. On one of the last Saturdays of the exhibit’s run, I held guitar-making workshops for nineteen visitors and their grown-ups.
Since the fall, I have planned workshops for each new Gallery exhibit, hoping to help children explore the art in new ways and obtain new tools for encountering and interpreting art. Past workshops included learning how to “Move Like a Monster” for Monster Party and designing a boat for dreams for The Star Travelers’ Dreams. This A Curious Symphony exhibit challenged me. Initially, the instrument-making workshops I eventually settled on seemed too obvious. But sometimes the most obvious ideas are the best ones. Continue reading