Kolie Swavely is the Elvira Growdon Intern for Collections Management and Curatorial Practice for summer 2017. Her work at Boston Children’s Museum has focused on cataloging and digitizing the Polynesian collection and finding cultural materials that connect to stories, myths, and legends around the world. She is completing a graduate certificate in Museum Studies at Tufts University.
Hello! Or, as the greeting goes in New Zealand, Kia Ora!
As the current E. Growdon Intern at Boston Children’s Museum, I work within collection’s storage, a place that some could compare to the likes of a secret garden. Now, imagine that garden filled not with flowers, but with ethnographic artifacts and pieces of cultural history collected by world travelers over 100 years ago!
As museums continue to care for their collections, ensuring that each and every piece of art and artifact is in the best condition possible, it is easy to lose track of the stories each one tells, and has yet to tell. Like a fish to a glittering lure, there is always an artifact that catches your eye, beckoning to be explored and revived. Here at Boston Children’s Museum, I myself have been hooked. While carefully documenting objects, I continue to uncover many that speak to me; and this fishhook I present today definitely speaks loudly of its cultural origin, the Māori of New Zealand.
Fishhook/ “Matau” Culture of Origin: Māori of New Zealand. Object ID: OS 78. Collection: Oceania; Polynesia. Materials: Bone, Abalone, Wood, Sennit Cord. Dimensions: 1.125” x 0.625” x 3.75”. Collected by Miss Lucy M. Prince, 1898. Donated, 1915
This beautiful fishhook (above) was donated to Boston Children’s Museum in 1915, Continue reading
I invite you to join us for our month-long celebration of Black History Month. Boston Children’s Museum has been committed to welcoming and engaging all children and families for over 103 years, and has celebrated Black History Month for many decades.
And this is fitting, not only because of the Museum’s mission to warmly welcome children and families of all races, ethnicities, and religions, but because of the importance of the city of Boston and the Commonwealth of Massachusetts to the struggle for equality and freedom and against segregation and discrimination. As told in the lovely book, The First Step, by Susan Goodman, who will visit the Museum during this month, the first step in desegregating schools took place right here in Boston when Benjamin Roberts filed a lawsuit on behalf of his little daughter who was barred from attending her neighborhood school because she was black (Roberts vs. City of Boston, 1848). In 1855, Boston became the first major US city to integrate its schools, and Senator Charles Sumner, a Boston lawyer and anti-slavery activist, filed a bill that made the Civil Rights Act into law in 1875, a law that led to the Supreme Court’s Brown vs. Board of Education decision in 1954. Right here in the African Meeting House on Joy Street on Beacon Hill, Frederick Douglas made his impassioned speeches, and William Lloyd Garrison founded the New England Antislavery Society in 1832, and published The Liberator, an abolitionist newspaper, for 35 years. Continue reading
The following post is by our Native Voices Exhibit Mentor, Nickolas Nelson:
My name is Nickolas Nelson and I am an Exhibit Mentor for the Native Voices exhibit. My time as a mentor allows the opportunity for me to witness first-hand the fun and exciting adventures that Native Voices has to offer. However, working with such an exhibit does have its challenges.
In Native Voices, we want to give families insight into how a group of people previously lived, but to also provide information as to their contemporary lifestyles, belief systems, customs, and ideals. This is challenging because a majority of information about indigenous cultures is based on stereotypes and misinformation. For example, many books and other publications continue to place indigenous people in the past leading audiences to disconnect indigenous peoples from contemporary culture. The goal of Native Voices is to dispel this misinformation. Once the stigma and stereotypes have been explained away, true growth and knowledge can ensue. Continue reading
When I was One,
I had just begun.
When I was Two,
I was nearly new.
When I was Three,
I was hardly Me.
When I was Four,
I was not much more.
When I was Five,
I was just alive.
But now I am Six, I’m as clever as clever.
So I think I’ll be six now and for ever and ever.
This October, one of the most beloved bears of all time turns 90 years old. Though he appears in earlier publications, fans prefer to celebrate the birth of Winnie-the-Pooh on October 14 as that is the date Winnie-the-Pooh was published.
To join in the festivities, here are a few things you may or may not know about a silly old bear. Continue reading
This July marks the 150th anniversary of the birth of renowned children’s author, illustrator, and conservationist, Beatrix Potter. Her tales played an important role in the shift that took place for children’s literature in the 20th century. Publishers recognized the importance of children as an audience and the need for higher quality in their offerings. Potter’s first and perhaps most famous tale is The Tale of Peter Rabbit published in 1902. In celebration of the sesquicentennial, here are some interesting facts about Beatrix Potter and Peter Rabbit. Continue reading
Many people associate contemporary St. Patrick’s Day celebrations as an Irish tradition. However the St. Patrick’s Day we know today is an American creation. In the 1800s, great numbers of Irish immigrants came to America to start a new life, but many American communities found it difficult to accept their overwhelming numbers. As a result, St. Patrick’s Day became an important day for Irish-Americans to gather together and celebrate their culture. In Ireland, St. Patrick’s Day continued to focus on religious aspects of the holiday. It is only recently that Ireland has followed with a three-day festival full of music, parades, and treasure hunts. Continue reading
Since 1977, visitors to Boston Children’s Museum have been greeted, as they approach the Museum, by a 40-foot tall building in the shape of a milk bottle. This may seem like an unusual choice for the front of the Museum, but it was not placed there as a statement on the importance of dairy in one’s diet, nor is it a marketing tool for Hood. There is a story behind this structure, and it is one filled with twists, turns and intrigue. The Milk Bottle’s journey has been an interesting one, and in the nearly four decades since its trip to Boston, it has become a beloved icon of the Museum and our mission. Continue reading