Meet the STEAM team

On October 6th & 7th 2018, Boston Children’s Museum will be hosting the Boston Mini Maker Faire for the third consecutive year. But did you know that the museum has been providing hands-on learning experiences for children for over a century? Today, Boston Children’s Museum has an exciting team of exhibit and program developers that all work towards providing robust experiences in Science, Technology, Engineering, Art, and Math (S.T.E.A.M)! In anticipation of one of the team’s favorite projects, the Boston Mini Maker Faire in October 2018, every member of the STEAM Team was asked the following question: What do you make, and why?

Melissa Higgins: Senior Director, STEAM


I wish I could differentiate myself from the HGTV-watching, Pinterest-inspired masses, but, I make DIY house projects! Trust me, you haven’t lived until you’ve taken five trips to the hardware store in one weekend. This is how we learn. I think pretty much anyone who lives in Boston will agree with me when I say that the general lack of storage in our city dwellings forces a lot of DIY creativity. There’s something really satisfying about imagining a project, figuring out how to bring it to life, and actually using it every day in your home. Plus, it’s a great test of the long-term stability of your marriage.

Alissa Daniels: Educator – Science Program Manager


I make earrings and other stuff from recycled plastic. “Homemade Shrinky Dinks” was one of my regular Kitchen Science projects here at BCM, and I would tell kids “If you punch holes in it, you can make earrings or key chains or other stuff.” And then one day I thought “Well…I can do that too.” It was amusing and fun, but then I discovered other people liked my things enough to pay for them. So now I do it for amusement, fun and a tiny tiny bit of profit.

Cora Carey: STEAM & Maker Program Manager


I make everything from spinnakers to recycled wool hats to bikes that make bubbles – sometimes out of necessity, sometimes as a creative outlet, but always because it’s fun and challenging to make stuff. I make things for my kids, my house, my neighborhood, my job, and occasionally on commission.

Ivy Bardaglio: STEAM & Maker Coordinator

I like to make a mess. I love working on big, in-your-face projects– like a human-powered stamp roller! I also make small everyday things, from tie dye to candles to calligraphy. I enjoy the independence and self-reliance that making gives me.

Faith Johnson: Educator – Art Program Manager

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Both as a practicing artist and educator, I find joy in facilitating and creating experiences that spark imagination, curiosity, exploration, collaboration, connection, reflection, creative voice, and transformation. I love to feel empowered and in turn, empower people of all ages, backgrounds, and abilities to imagine, activate, and participate thoughtfully in the creativity of the world inside and around us.

Rosa Frank: STEAM Specialist

At Boston Children’s Museum, I make the same things our visitors make: paper bridges, coffee-filter snowflakes, zoetropes, leaf rubbings, scribble bots, paintings, drawings, sculptures and more. I make these things to learn about what works and what doesn’t. I explore the potential of the materials, and I find ways to help kids work through the challenges. At home, I make greeting cards, found poetry, and gift-wrap from recycled materials. These are things to give away, to show appreciation and gratitude for the people in my life.

Neil Tembulkar: Maker Faire Project Manager

What do I make? I make my life more difficult. Why? I try and make/do/fix/create everything with a misguided overconfidence. At times I am successful. Other times I turn to online tutorials and success is a coin flip. Often times I fail. No matter what the task is, the attempt is the rush, and the result is a lesson. When I’m not engaged in such Maker-hubris, I like to write, play percussion instruments, and most of all: make people laugh!

Message in a Milk Bottle Project: Building Community Connections

This blog post was written by Health and Wellness intern, Deanna Gouvia. She is a graduate student from Wheelock College pursuing a degree in Child Life.

Every year at Boston Children’s Museum, the Health and Wellness intern puts together a special community project called Message in a Milk Bottle. This year, I had the opportunity to design, coordinate, and facilitate the activity with visitors at Boston Children’s Museum as well as children and adults at Boston College Campus School, Franciscan Children’s, and Shriners Hospital for Children. I titled my activity “Building Community Connections” to emphasize the idea that we all have people who are important to us and whether we live near or far, or cannot always be together, we are still connected as one community and we can work together to create a collaborative piece of art.

The goals of this activity were to promote community engagement throughout local organizations, to encourage social and emotional development by thinking about social relationships and the importance of those people, and to enhance interactions between people of different ages, gender, cultures, abilities, and locations.

During March and April, I visited Shriners Hospital for Children and Franciscan Children’s to facilitate the activity. Materials were provided for Boston College Campus School staff to do the activity in their different classrooms. Each participant was asked to think of one or more people who were important to them and create a piece of art that represented those important people using a variety of craft materials that were accessible to people with different interests and abilities. The activity was then duplicated at Boston Children’s Museum during April’s Morningstar Access program and again during regular operating hours on April 22nd.


During the creation process some wonderful conversations and illustrations about community and important people took place. At Shriners, one child decorated a person as her favorite nurse who helped her throughout her medical experiences starting when she first went to Shriners. Another child at Boston Children’s Museum commented that her father was her important person because he “tucked her in and [they] did fun things together and [he] loved her”. At Franciscan, a family group of a mother, a teenage boy, and a toddler girl worked together to create their own family piece to contribute. At the Campus School, each classroom completed the activity to contribute their pieces to the overall display, which created a sense of community at the school.

There were people of different ages, abilities, and languages working together which really illustrated the idea of community connectedness despite differences. At the Museum I was very encouraged to see a great deal of inter-visitor interactions. Children and adults alike, were conversing about their important people, working together to find desired materials, and complimenting and commenting on each other’s art. I was also happy with the number of adults who participated, making their own important people, connecting their art with their children, and encouraging conversations about community and how we are all connected.

The art gathered from the local organizations as well as from the Museum were collected and installed on display in The Common at Boston Children’s Museum on April 22nd. Despite the distance between the children and adults in the hospitals and Campus School, and the visitors at Boston Children’s Museum, they were each able to contribute a piece of art that was important to them, to a greater collaborative piece of art that signified community, near or far, as represented by the people centering around the Earth. The display will remain until I complete my internship on May 4th.


Being responsible for this project from start to finish allowed me as an intern to develop skills I otherwise would not have. I had the opportunity to take on a strong leadership role as I coordinated with staff members at other organizations and facilitated the activity in the various settings. By completing this project I have also learned how much work, effort, time, and collaboration goes into putting together an activity of this scale. It is certainly an experience I am very proud to have had and one that will continue to influence my work as I continue on in the field of child life.

Martin’s Park – A Symbol of Joy, Friendship, and Peace for All

Photo credit – Clive Grainger, 2017

Today was a momentous day, as Bill, Denise, Jane and Henry Richard, Governor Charlie Baker, Mayor Martin Walsh and others, broke ground on Martin’s Park; soon to be a world-class, accessible City of Boston park and playground in the “back yard” of our Museum on Fort Point Channel. This park, dedicated to Martin Richard, the youngest victim of the Boston Marathon bombing, will be a symbol of all that is good in us – strength, resilience, love and fellowship. Martin’s vision of peace is the inspiration for this visionary place where all children and their families will play, have fun, and learn for years to come. And we need Martins’ vision now, more than ever!

In recent months, we have seen our civic discourse become increasingly divisive and destructive. While we, as Americans, may have views as diverse as our origins, we must all agree on one thing: hate and bigotry have no place in our society and we must do everything we can to stop it. In this context, the groundbreaking of Martin’s Park takes on a greater importance and urgency. For this park will be a symbol of peace and inclusiveness that reflects the noble aspirations of a family and a community.  It will forever inspire us to make a better world, a world in which every child can experience the exhilarating joy of play, discovery, and friendship. A park that will be a symbol for all, of the light and love that can emerge from darkness.  Edith Wharton once said, “There are two ways of spreading light: to be the candle, or the mirror that reflects it.”  Therefore this park will be, for all time, the brightly shimmering candle reflected in the mirror of thousands of children’s shining faces.

Please join me in celebrating this historic ground-breaking and its urgent message of peace and hope for our city, our state and our country.

The Fish of Māui : Te Ika a Māui

Kolie Swavely is the Elvira Growdon Intern for Collections Management and Curatorial Practice for summer 2017. Her work at Boston Children’s Museum has focused on cataloging and digitizing the Polynesian collection and finding cultural materials that connect to stories, myths, and legends around the world. She is completing a graduate certificate in Museum Studies at Tufts University.

Hello! Or, as the greeting goes in New Zealand, Kia Ora!

As the current E. Growdon Intern at Boston Children’s Museum, I work within collection’s storage, a place that some could compare to the likes of a secret garden. Now, imagine that garden filled not with flowers, but with ethnographic artifacts and pieces of cultural history collected by world travelers over 100 years ago!

As museums continue to care for their collections, ensuring that each and every piece of art and artifact is in the best condition possible, it is easy to lose track of the stories each one tells, and has yet to tell. Like a fish to a glittering lure, there is always an artifact that catches your eye, beckoning to be explored and revived. Here at Boston Children’s Museum, I myself have been hooked. While carefully documenting objects, I continue to uncover many that speak to me; and this fishhook I present today definitely speaks loudly of its cultural origin, the Māori of New Zealand.

Fishhook/ “Matau” Culture of Origin: Māori of New Zealand. Object ID: OS 78. Collection: Oceania; Polynesia. Materials: Bone, Abalone, Wood, Sennit Cord. Dimensions: 1.125” x 0.625” x 3.75”. Collected by Miss Lucy M. Prince, 1898. Donated, 1915

This beautiful fishhook (above) was donated to Boston Children’s Museum in 1915, Continue reading

Listening to Change (Ourselves)

Boston Children’s Museum is loud. Kids are noisy and the Museum has a lot of them – 500,000 people fill the museum with their voices every year. Shouts, laughter, complaints, sobs, questions. That is a lot of noise.  I was recently asked to write a blog post and, sitting at my desk adjacent to an exhibit, it can be difficult to wax philosophical about museum education over the rumble of so many voices. But, whenever I feel this way, that the noise of play is an impediment to work, I try to catch myself. Behind every sound is a story. And hearing a good story changes you. And so I stop trying to squeeze out the distractions and listen to what the Museum has to say. Continue reading

Hidden Features: Microphotography

Boston Children’s Museum collects and houses many unique artifacts and specimens from around the world. Sometimes, we find artifacts with hidden unique features. In one of the many shelves in collection’s storage, there sits a Swiss chalet model, measuring roughly 2 inches tall, among a drawer of other Swiss miniatures. On the front of the model, the words “Rigi Kaltbad” are carved. Upon searching “Rigi Kaltbad” online, I learned that it is a historic resort area in the Swiss Alps. This little model, which was donated in 1942, was likely a souvenir novelty acquired on someone’s travels in Switzerland. One of the model’s interesting features includes its roof flipping to the side to uncover an area for an inkwell, but the chimney contains the hidden unique feature.

    

A very small piece of glass is situated in the chimney, and by holding the glass to a light source and then looking into the chimney, it reveals 4 microphotographs! For each image, they measure about 1 millimeter wide, which is about the size of a pencil’s tip. These types of viewing devices are called Stanhopes and were invented by René Dagron around 1857. Stanhopes came in an array of objects from pens, rings, pendants, and many other objects.

View from the back of the chimney glass, where 4 microphotographs are seen.

The 4 microphotographs in our object display and label areas of the Swiss Alps including Rigi Kaltbad, Rigi Staffel, Schnurtobel-Brücke, and Rigi Känzli. When searching those labels online, I found similar historic images of these areas from the early 1900s that match the sites and imagery in the microphotographs. I then experimented with trying to capture the 4 photographs. Since the museum does not have a microscope with the ability to take pictures, I went through a trial and error process to find the best way to capture the 4 microphotographs. I attempted different angles and lighting with a macro lens and even the museum’s exhibit microscope component, Scope on a Rope, but unfortunately none of those options worked. Lastly, I decided to try and use my iPhone, and surprisingly, it worked better than the other options! Explore the images and video below as you take a virtual peak at a Stanhope!

    

    

 

Source:

The Focal Encyclopedia of Photography: Digital Imaging, Theory and Applications, History, and Science by Michael R. Peres

 

The Benefits of Yoga for Children

When you hear about yoga classes for children you may be a bit skeptical. You may find yourself thinking, why? Why should my child do yoga? Won’t that be too hard for a child to understand and physically do? How would it help them? Isn’t yoga linked to religion? Why should my child do yoga when they can do other activities like riding their bike, running, sports like soccer and playing games like tag?

Whether you practice yoga or not, you most likely have heard about the benefits it provides. Practicing yoga is known to help reduce stress, promote calm and positive emotions, as well as increasing balance, strength and overall health. One of the great things about yoga is that the benefits it provides are for everyone, regardless of age. Anyone from children to grandparents can participate in and benefit from yoga.

To give you a brief history, Continue reading

Behind the Scenes at the Museum: Critter Care

critter-careHi there!  We’re doing Critter Care right now.  Meet Marina, one of our Visitor Experience Associates.  She’s cutting up food for our critters.  Boston Children’s Museum has four live animals:  Watson, our bearded dragon lizard; Oliver our ball python; and we have two new spotted turtles who we haven’t named yet.   Every day a Museum staff person is assigned to “Critter Care”.  No experience is required to sign up for Critter Care, just a willingness to deal with the messes that animals can make. Critter Care team members seem to think that the benefits and enjoyment of working with the animals outweighs the little bit of unpleasantness.

Caring for the critters gets them used to humans as we handle them which is important because we like to take them out of their homes occasionally to have them meet our visitors during “Creature Features”.  Some Critter Care staff are also trained in “Creature Features”, where they learn proper handling and how to talk to visitors about the animals.

Staff members on the Critter Care team generally really enjoy getting to know the animals and develop a real fondness for them.  They learn a lot about these individual animals, as well as the species in general.  Watson is a staff favorite.  He’s extremely social and often can be found at our staff Morning Meeting.  He likes to latch on to the front of your shirt and hang there, head cocked to the side listening. Sometimes we let him skitter along the floor. His claws slip a bit on the tiles, but he is undeterred – so much freedom!

The next time you’re at the Museum come visit our live animals on the first floor in Investigate, between Bubbles and Raceways.

With Liberty and Justice for All…

SONY DSCI invite you to join us for our month-long celebration of Black History Month. Boston Children’s Museum has been committed to welcoming and engaging all children and families for over 103 years, and has celebrated Black History Month for many decades.

And this is fitting, not only because of the Museum’s mission to warmly welcome children and families of all races, ethnicities, and religions, but because of the importance of the city of Boston and the Commonwealth of Massachusetts to the struggle for equality and freedom and against segregation and discrimination. As told in the lovely book, The First Step, by Susan Goodman, who will visit the Museum during this month, the first step in desegregating schools took place right here in Boston when Benjamin Roberts filed a lawsuit on behalf of his little daughter who was barred from attending her neighborhood school because she was black (Roberts vs. City of Boston, 1848). In 1855, Boston became the first major US city to integrate its schools, and Senator Charles Sumner, a Boston lawyer and anti-slavery activist, filed a bill that made the Civil Rights Act into law in 1875, a law that led to the Supreme Court’s Brown vs. Board of Education decision in 1954. Right here in the African Meeting House on Joy Street on Beacon Hill, Frederick Douglas made his impassioned speeches, and William Lloyd Garrison founded the New England Antislavery Society in 1832, and published The Liberator, an abolitionist newspaper, for 35 years. Continue reading

Behind the Scenes of Happy Noon Year

hny4Every year, Boston Children’s Museum celebrates the New Year with a special event called Happy NOON Year. For many of our visitors, it is challenging to stay up and ring in the New Year. To help be inclusive in this celebration, we invite families to celebrate with us and count down to the noon hour on December 31st. One of the traditions of this event is to drop a Museum staff-made ball during the countdown. My colleague Steve and I agreed to take charge of its creation this year, and our mission was to make the best, greatest Happy Noon Year ball ever with our master plan of decorating a 4-foot tall clear beach ball! Continue reading